Review - New Spitfire Solo Strings

***UPDATE 10/11/2018 :
Spitfire has released an update for this library, which addresses one of my main disappointments with this library: the lack of an all-encompassing and expressive performance patch, ie Joshua Bell Violin by Embertone. This update has added exactly that! A Solo Violin (Virtuoso) Total Performance Patch. I must admit, I was not expecting them to add this, but it’s quite amazing and performs VERY well. I feel this now fills the gap that was missing between having a truly intuitive, deeply expressive, and instantly playable solo string instrument and having a library that does everything else well. They have also fixed the issue with the batch re-save that I mentioned earlier. Overall, I am very pleasantly surprised with this update, and I feel it’s only fair to update my final score for this library now that it has been significantly improved.

UPdated score (with Violin Virtuoso Total Performance patch)


Original review is as follows:

Hello all! Today we are taking a look at a new solo string library from the folks at Spitfire Audio.

The original Spitfire Solo Strings was their first sample library ever, and the release of an all new Solo String library from Spitfire has been long awaited. I owned the original Solo Strings and got a discount upon purchasing the NEW Solo Strings, and they cost me $189 instead of $399. 

This library loads up through Native Access so it has it's own panel in the Library Tab of Kontakt, which is a welcome addition.

This library loads up through Native Access so it has it's own panel in the Library Tab of Kontakt, which is a welcome addition.

This library features all new players and recordings from the original, as well as an updated GUI. I was expecting a MASSIVE step forward in terms of sound, and more importantly, instant playability. I must admit that, while delivering on the quality of the recordings and providing many useful and great sounds, in the end they did not live up to expectation in regards to playability.

The library has all inclusive patches for three separate Violins (Virtuoso, 1st Desk, and Progressive), Viola, Cello, and Bass. For more detailed info about the different types of violin patches than I could ever give in my quick review, see the official page here.


I feel in every Spitfire collection I own, the short notes always stand out as being spectacular, while the longs and legato leave quite a bit to be desired. I found this library to continue this tradition. The shorts are always crisp, tight, and highly detailed and realistic. I also thoroughly enjoy some of the new articulations, like the Long Flautando and Long and Short Harmonics. I feel this library nails the articulations that are unique and provide some very interesting textures and timbres to add to your existing orchestral palette. 

I found the standard long notes in the main NKI files to be quite lacking. It takes a lot of time and MIDI programming to get these to sound good in my opinion. With so many libraries simply sounding incredible from the first note "right out of the box", this was quite disappointing especially after so much hype and waiting so long since their original Solo String Library. The attack and release leave a lot to be desired and require a lot of tweaking to get these long articulations to sound realistic.

Legato GUI

Legato GUI

Now, when it comes to instant realism and playability for Solo String libraries, in my opinion there is NOTHING more vital than a highly expressive legato patch. I was honestly quite concerned when there was less than a month until the release of these new Spitfire Solo Strings, and there was yet to be a single demo showcasing any type of legato patch. In fact, there was no such legato demo until the library had already launched. With so many incredible and expressive libraries already on the market (such as Strezov Samplings' Macabre Strings, and Embertone's Joshua Bell Violin), I was hoping they would really deliver on this aspect and take a new step in expressive realism for solo string instruments.

The legato is definitely a step up from the original Spitfire Solo Strings from a few years ago, but still, in my opinion this again takes a lot of time and effort to get to sound realistic. It does allow for faster playing between notes, which is a plus, but it still does not have enough expressiveness and instant gratification to stand against some others currently on the market. I often have to deliver tracks for clients in a matter of days or sometimes even hours, and I (and many others) simply need something that just WORKS as soon as you open it up. This is the magic of modern sampling in my opinion, those moments when I am utterly blown away at the sound coming out of my speakers, and I am thoroughly convinced I am listening to a real musician playing this instrument in front of my as opposed to samples. Sadly this does not quite deliver that "wow factor" that so many other sample libraries have managed to achieve.


This library is more of an all-compassing solo string library and probably has every articulation you could need for solo string writing in a standard or classical arrangement, but in terms of expressiveness and true emotion it cannot deliver the “wow factor” of some others on the market. For the price you do get a lot, however I don't believe I will ever use the sustained notes in any of my compositions simply because I do not enjoy the sound. The short notes are amazing, as is to be expected from Spitfire audio, but the standard sustained notes are like night and day compared to the realism of the shorts and actually sound a bit grating. I wish they would have focused more on making this instantly gratifying and easy to play straight out of the box. For the basic articulations, it definitely delivers, but for emotional and virtuoso playing, I'd simply look elsewhere. I often use the short notes and occasionally the Flautando and Harmonics to add unique textures. I prefer solo string libraries for those fluid and emotional legato lines, which this library does improve upon from the original Spitfire Solo Strings, but doesn’t stand up to what’s available on the market from other companies. There is also too many violin player patches that don’t differ enough for me to be really impressed by one over the other, I do however know these could be very useful to some composers, I just am not one of them at this time. I must admit I used to be excited about new Spitfire Audio releases, but lately I have not been a fan of their marketing and focus as a company, as they seem to release countless string libraries and fail to truly innovate, not living up to the reputation they once had as an exciting and top of the line sampling company, instead lately I find them a bit boring and pretentious in the way they market themselves, which is strictly a personal opinion and does not mean they do not produce quality products, I just fail to get truly excited when they fail to innovate like the did with the Albion series and some of their artist specific libraries and composer toolkit’s. There is also a bug preventing a Batch Resave within Kontakt with this particular library, which makes loading very long every time I open it.

Spitfire Audio New Solo Strings (2018)

Verdict - 8.0/10


+ Vast amount of content and playing techniques.

+ Realistic sound, providing the superior detail and quality expected from Spitfire.

+ Unique articulations you may not find elsewhere.


- Simply can’t match the emotion and expressiveness of other libraries on the market.

- Long notes have an overall sterile and bland feel.

- Three violin player patches that fail to deliver anything significantly new or exciting to make them stand out from one another.

Let's Listen: Air Hybrid 3 Synth and Tantra (Rhythmic Processor)

Hey guys, I wanted to offer some opinions on some really great plugins for a VERY low price. I'm going to try to make this an ongoing series, offering short reviews/impressions on the plethora of sounds available at ridiculously low prices at the various audio discount websites. As I'm sure many of you can relate to, I LOVE to get new sounds and just have a field day experimenting and playing around with them, so I often take advantage of the discounted websites such as VstBuzz, Audio Plugin Deals, and Plugin Boutique (there are others, but these are the ones I have most experience with)

Earlier this week I offered my impressions on a great orchestral library, the Herring Clarinet. Today I want to cover something complete different, the ever popular electronic/hybrid sounds. I picked up the Hybrid 3 Synth by Air Music Technology (creators of integrated plugins for PRO TOOLS) for only ONE DOLLAR here at Plugin Boutique (the deal may be limited, however). I didn't buy it at first because, come on, how good can it be for one dollar? I did a little research and heard some audio demos and a few days later I bought it. For the price, this is hands down he best deal I've ever gotten on any plugin, ever.

hybrid 3.png

Load it up and you have a basic interface, and if you have ever used soft synths at all, it will all be very familiar: Oscillators (up to 6), envelope options and knobs for LFO, Filter, Preset bank, effects, etc. I won't go into much depth here, because there are much more knowledgeable users on the internet with more helpful tutorials and overviews of the features. I was mostly interested in how it sounds.

I proceeded to play around for a few days and get the feel of the workflow and operation, and then this evening I timed myself to produce an audio demo in one hour that still sounds good and relevant in today's constantly changing music scene. I was constantly impressed with the quality and lushness of the presets, and even those that didn't sound so great to me became useable after doing some tweaks, which is very easy to do. It was all very simple to use, and more importantly, a whole lot of fun to play with. A real sense of joy and discovery when finding a solid preset and then manipulating it to sound soft and airy, or thick and gritty, and everything in between. For those sounds that may have sounded a bit static, another great plugin saved the day.

I'm talking about Tantra by Dmitry Sches. The combination of these two plugins cost me around 35 dollars. I have only owned Tantra for less than a day, but I can tell you now it's going to be an absolute staple in my compositions from now on. I used it on the synth, but it can complement any possible audio signal you can throw at it. Vocals, guitars, synths, basses. It takes stale and static sounds and gives them a new life, deeply sampled rhythms and effects that sound phenomenal. The interface is also beautiful and a bit overwhelming with all the buttons and knobs, but it goes to show the amazing options for manipulation and tweaking.

Where Air Hybrid 3 is a niche product, Tantra is an versatile workhorse and can make anything sound better., providing anything from soft and subtle delays and frequency modulation, complete glitch-style signal manipulation, deep pulses and sidechaining, and percussive sequences. I was looking into buying Movement by Output, and after doing some research on forums, decided I could get something that does the same things for less money (who can say no to that?) and I settled on Tantra after the deal popped up in my inbox. I am not knocking Output at all, they have amazing products, but, if you are looking for something that has similar capabilities and features and can't afford Movement, go with Tantra. I have not even begun to delve into the full capacity of the features and sounds available, but already I know it will be a staple for years to come. It provides seemingly endless possibilities and rhythmic variations, at an amazing discounted price for a limited time here at VstBuzz.

Here is the demo I made in only ONE HOUR, using 95% Hybrid sounds (FL studio stock drum samples and one instance of the FL 3xOsc for the white noise sweep) and Tantra on the mixer channel for a couple of the Hybrid 3 layers. Tantra provides that great rhythmic sequencing (with built in delay/filter modulation) audible in the start and throughout the whole track.