Per request, we are going to be talking about 8Dio’s Silka choir today! 8dio’s choir libraries are widely considered to be some of the best you can get when it comes to overall sound quality, so I was eager to pick this one up at it’s intro price of $348 dollars (Currently a whopping $598). The only choir libraries I owned before this, were EWQL’s Symphonic and Hollywood Choirs, which are very solid choir libraries and capable of covering a wide range of styles. I remember listening to the demos of Silka and just being blown away by the nuance and realism on display. It was immediately apparent that this is NOT a choir library for a bold, epic “Choir Wall” sound.
According to their marketing, Silka means “Gentle, Flowing”, and that is exactly the vibe you get from listening to the demos. The aforementioned Hollywood Choirs from EWQL is entirely built around an amazing feature, the Word Builder, which allows the choir to, in theory, sing any words or phrase you can think of, just by typing it out. However, it can sound very choppy, in fact it cam sound the opposite of “gentle and flowing”. For this reason, and the high praise for the previous choir libraries from 8dio from users across the internet, I was eager to dive in and check out the new Silka Choir (I even spent days trying different phrases and tweaking the multitude of settings in Hollywood Choirs word builder, just trying to get it to sound similar to the Silka demos, in order to determine if I should really spend the money on another choir library.)
After purchasing, downloading, and installing, I loaded up one of the “4 Syllable Soft Arc” patches featuring the full choir (Male and Female combined), and just went to town. The first few hours playing around with this were incredibly fun and satisfying. The Arcs are absolutely amazing, and could quite possibly bring a tear to someones eye with the angelic nature of these samples. I own 8Dio’s Century Strings and Brass, and their “arc” articulations have been invaluable to me and make their way into almost every single track I make. I believe this is one of the key factors in Silka to getting this library to sound so instantly realistic and expressive: recording the singers naturally starting at low dynamics, building up louder to the middle of the pre-recorded phrase, and then slowly fading back to sing softly again to finish the phrase, or “arc”. In the past these dynamic swells have always been done simply by automating the CC01 (or dynamics) of the library, but having this already baked into the recordings themselves, as performed by the actual singers, takes things to a new level of realism. Check out this examples below, as the results speak for themselves.
I think it’s worth pointing out some of the amazing scripting that goes into these Arcs. This library allows for polyphonic legato, and melisma singing. (I’m going to compare again to EWQL Word Builder again, so bare with me). One of my biggest complaints with EWQL’s World Builder, was how every time you pressed a new key, or performed the next note of your sequence or phrases, the choir immediately started singing the next syllable, and did not allow you to shift between notes while continuing to sing the same syllable, which ends up giving it that choppy quality. Silka allows you to change the note you are playing, in the middle of the phrase, without actually interrupting the phrase itself. You can have multiple singers all singing a chord, all perform a legato slide up to a different chord or note, all while continuing to sing the same syllable in unison. I most likely lack the skills to properly explain this and what it means, so please check out the demo video to hear this in action, as it really is a big deal IMO. Another nice feature of the Arcs is a sequencer built in, which allows you to play any of the pre-recorded phrases in any order that you wish, so things don’t sound repetitive.
After the initial “high” of having this kind of heavenly sound stream through my speakers at a moments notice, I started to explore the rest of the library. To me, the absolute highlight are the multitude of Arcs they have included, which sync to your DAW’s tempo, and can also be played at double or half speed. However, there is a lot of content in this library, which is why this review and full testing took a bit longer for me this time around.
I definitely enjoyed the Triplet Loops/Triplets as well as the Arcs and Intimate Legato patches.
The legato patches sound fairly good, especially the “Legato Intimate”, though they all sound best at a softer dynamic range. I find any choir library sounds synthetic when playing one single note at a high velocity, and Silka was no different in this aspect. Which brings me to my next section.
The inevitable quirks…
Granted, there is a LOT of content included in Silka. More importantly to me, however, is how much content there is that I will actually USE. I feel this library is centered around the Arcs, and for good reason, as they are phenomenal. However, I can’t ignore the fact that rest of the content here feels like an afterthought, tacked on to justify the very high price of almost $600.00. There are no standard sustains included here. I kind of expect every single choir library to include basic sustain articulations (Ah, Oh, Oo, etc.), especially one with a $598 price tag. Instead, when loading up the sustains, you get an “Oh”, but it is all performed in an arc or swell. When it comes to sustains, I want a steady dynamic “Oh” that I can completely control with CC01. All this offers is the syllable being sung in a dynamic arc, which is pre-determined in length and quite limited in it’s uses, to be honest. The rest of the sustains are more like effects, which seems really strange to me. (See the list below)
Next up, we have the “Fast Repeated Staccatos”, which would be good in theory, however, they play a bit off beat sometimes even though they are syncing to my DAW’s tempo. Little things like this pop up here and there, and just show that this library can only do one style (granted, it does that one very well).
The Legato Sustain patches don’t actually sustain… they hold on for a few seconds and then stop, which is incredibly confusing, as every other legato patch sustains indefinitely as long as you hold the note. However, for a patch with “sustain” specifically in the title, they do not actually… sustain.
As amazing as the arcs initially sound, they too can be difficult to time right and have them sit in a track with a steady rhythm/tempo, sometimes having to play with different phrases to find one that actually fits in with the timing of your track. Overall, every sound provided here is amazing for a slow, soft track, with a lot of “breathing room” to let the arcs fully sustain and finish the full phrase, but for something that has a steady 4/4 rhythm and needs to be tight and precise, Silka is definitely not the right choice.
Lastly, sometimes you can hear phasing at high dynamics and some articulations would output nothing but silence until I exited and reloaded them again. I don’t know if it’s laziness or something else, but 8dio produces AMAZING sounds…. the problem is, after owning MANY of their products, they just have never made an all around GREAT product. Other companies produce amazing sounds AND amazing products, where everything just works (interface, usability, sound all being consistently stellar). It frustrates me that 8dio hasn’t seemed to produce such a product yet There are always some bugs and inconsistencies, and considering this, I feel overall they are overpriced. This is just my honest and possibly harsh opinion, but they lack the polish and cohesiveness that other companies consistently deliver, and it’s all the more frustrating to have to run into these problems and point them out in reviews, because honestly, the sounds are incredible.
This library really, really shines when it comes to the arcs and really nailing that dynamic performance. In turn, customization and versatility is sacrificed for having an instantly playable phrase that just sounds amazing. This review was probably the most difficult I’ve done so far, as when I first got this product I was in love just playing around with it, but, in context, it has quite a few flaws. When I do reviews I have to really look at so many aspects, not just how it sounds out of the box, but how it performs and holds up while writing music, and the overall practicality and versatility of a product, especially when it’s priced so high. I believe Silka is a VERY GOOD library at nailing the Arcs and the dynamic swells and realism of a real choir. However, when it comes to versatility, it’s sorely lacking. It was quite frustrating to see so many issues popping up as I was really testing all factors of this library, as the sound is so incredible, I wanted to love it. I still like it, but there are many things that need to be addressed here, and many articulations that just feel tacked on as an afterthought. In order to understand some of my compalints, let’s try to look at another product, Fluffy Audio’s Dominus Choir, which costs only $379 dollars. It offers very similar sound and performance features, at a fraction of the price. When you’re aware of such things that are also out there, I can’t help but feel 8dio is drastically overpricing it’s Silka Choir. Also consider, 8dio also has a choir library called “Insolidus”, which is incredibly similar in features and sound, and both libraries are a whopping $598 each. I’ve even seen users who report that Silka simply feels like an “Expansion” of Insolidus choir. I don’t own Insolidus so I can’t directly comment on that, but it’s definitely a viewpoint I have seen floating around. Writing these reviews can be incredibly difficult, and I also have to consider the technology present in other libraries I have purchased recently, such as Audiobro’s Genesis Choir, which has all the melisma, polyphonic legato, syllables and phrases, plus more features, for a price of $279 (granted, it is only a Childrens choir, but a damn good one). As amazing as Silka’s Arcs sound, I cannot ignore the broader picture that it is vastly overpriced, and is not as playable or usable as it may seem at first glance. There are other libraries on the market that cover so much more ground for a similar price, or you can simply settle for something just as focused for a fraction of the price.
+The realism and expressiveness present in the arcs is incredible.
+Polyphone legato during arc phrases sets a new bar for realism in an 8dio library.
+ Nails the intimate choir sound.
-Bloated articulation list. Many feel like an afterthought.
-No standard “Ah, Oh, Oo, Mm” Sustains.
-Phasing issues in certain key ranges.
-Not as playable and practical as it initially seems, quite limited in it’s use.
-Very niche and only covers one style of singing, all while sporting a very high price tag.
-Too similar to Insolidus choir to justify an entirely new product with the same price.